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How a Psychologist Helps You Understand Trauma Through Film & tV Characters

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Welcome to Characters On The Couch, my Film & Television site, where I delve into character psychology. If you’re interested in psychology, film, or a combination of the two, I bring my insights into your favorite contemporary and classic characters. I hope to help you understand their deeper psychological motivations (and, maybe, even your own).

When you think about truly iconic films, do you wonder what gives them such staying power? Is it the time of your life when you watched them? Is it the costumes or images that seemed unforgettable? Did one or more characters align with your struggles or painful experiences? Did you feel along with them?  Or maybe, it’s simply that the film pulled at your heart and caused you to explore emotions in a new and profound way?

I say it’s all of the above. And, in the same way, when these meaningful elements are missing, a story becomes forgettable. I hope this site will encourage you to transform your story, personal or in writing, into magic by finding the human thread that links it and you to a universal experience.

Everything in life ties us back to complex emotions and the rhythm and language of feelings and psychology. I'll offer you that language of feeling in my blog as I write about the human struggles in each film.

WEAPONS: Being Under the Spell of a Narcissistic Abuser

I know, I know. Aunt Gladys is supposed to be a witch in Zach Cregger’s new film, Weapons. But I have to say: What better example of a gaslighting narcissistic abuser could we possibly find? As well as the devastating effects when you’re caught in that horrible situation. Aunt Gladys will use and misuse anyone…

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I SAW THE TV GLOW: When Sadness Can Be Just Too Much

Owen and Maddy can’t be who they are in Jane Schoenbrun‘s I Saw the TV Glow. Those reasons started in traumatic childhoods but are now inside themselves. For Owen, his dad’s control and lack of acceptance. He doesn’t even try to “get” Owen. If Owen expresses interest, like in the Pink Opaque, he humiliates him:…

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SORRY, BABY: “Not Thinking About It,” Trauma Triggers, & What Heals

Something bad happened to Agnes in Eva Victor’s, Sorry, Baby. Yes, Sexual assault is bad. And, Agnes has the typical trauma responses: thinking and not thinking about it, confusion, disorientation, depression, and hyperalert distrust. Yet, watching this film as a psychoanalyst who treats trauma, I have to say that something bad also happened to Agnes…

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